Rone Transforms Abandoned Art Deco Mansion in Melbourne.

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Usually ‘creepy’ would be the word that comes to mind when describing an abandoned, dilapidated mansion. Not so when Melbourne street artist Rone has anything to do with it. His takeover of Burnham Beeches, a formerly glorious art deco abode in the Dandenong Ranges, is so damn cool. There are honestly no words to describe how cool. But we’ll try. Read on…

Following the success of Omega, which saw a condemned suburban home become an installation before its demolition, Rone has stepped it up a notch. In a further exploration of beauty and decay, the artist has created murals on the peeling, cracked walls of the 14-room 1930’s manor for ‘Empire’.

The Art Deco Streamline Moderne property was once the glamorous family home of wealthy industrialist Alfred Nicholas. After iterations as a research facility and then a hotel, Burnham Beeches was shuttered in the late ’90s. It had been vacant for over 20 years when the ‘Empire’ installation began.

‘Empire’ is more like a film set than an art installation, including sound, light, scent, and botanical design. Audiences are taken on a multi-sensory journey through the once magnificent manor, hauntingly immersive in a way that encourages one to fantasize about the past of a faded icon.

Rone collaborated with interior stylist Carly Spooner, who sourced over 500 individual antique pieces to furnish the rooms. No detail went left unchecked. They even planted a grand piano in the garden, leaving it exposed to the elements for several weeks to achieve its aged patina before transplanting it back inside, covered in moss and leaves.

Playing into the passage of time, the rooms are thematically linked to seasons, curated to evoke distinct moods as audiences move throughout the space. The room with the grand piano is strewn with piles of autumn leaves, while a bedroom is decorated from floor to ceiling in varying shades of spring lavender.

Design studio Loose Leaf created botanical installations to further reference each season and reflect the perpetual life and death cycles of nature and the estate’s surrounding gardens. Film composer Nick Batterham created a 45-minute, 15 channel composition which drew on months worth of ambient audio recorded on site in the gardens, season by season.

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