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Waves roll into Ipanema Beach in the South Zone of Rio de Janeiro, Brazil. Recognized as one of the most beautiful beaches in the world, the sand is divided into segments by lifeguard towers known as ‘postos’.

See more here: https://bit.ly/3ihIlCa

-22.983611°, -43.204444°

Source imagery: Maxar

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The Great Pyramids of Giza are located on the outskirts of Cairo, Egypt. Dating back to 2580 BC, the Great Pyramid, the largest structure at the site, is the oldest of the Seven Wonders of the Ancient World and the only one to remain largely intact. With an estimated 2.3 million stone blocks weighing 2 to 30 tons each, the 481-foot-tall (146-meter) pyramid was the tallest structure in the world for more than 3,800 years.

See more here: https://bit.ly/3ze2XCd

29.979234°, 31.134201°

Source imagery: Maxar

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Lava and ash billow out of Mount Raung, one of the most active volcanoes on the island of Java in Indonesia. Raung towers more than 10,000 feet above sea level and was captured here during a powerful eruption in 2015 with a short-wave infrared satellite camera. The ash produced during this activity forced the closure of numerous airports on the island.

See more here: https://bit.ly/3xLJf02

-8.125000°, 114.041667°

Source imagery: Maxar

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Hong Kong is an autonomous territory in southeastern China. Originally a sparsely populated area of farming and fishing villages, it is now home to a population of 7.5 million people living in one of the world’s most densely populated areas with more than 17,000 people per square mile (6,659 people per square kilometer). In recent years, the autonomy of the territory has been threatened as Chinese government has cracked down on Hong Kong’s freedoms, leading to mass protests in the city.

This image was made on our Custom Print Creator. Visit over-view.com/custom today to try it out!

22.300000°, 114.200000°

Source imagery: Airbus Space
© CNES 2020, Distribution Airbus DS

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The living room welcomes guests into a calm monochromatic space, with accents of brushed brass, gunmetal and matte black. A variety of Lee Broom lights including Carousel XL in polished gunmetal, Lens Flair pendant in matte black, and Crescent table lamp feature in the space.

A Hanging Hoop Chair Designed by Lee Broom floats gently in the space, in brushed brass and black Kvadrat wool. This chair was made famous in 2020 when Beyoncé swung from it in her latest visual album and film ‘Black is King’. Beyoncé then bought the chair for her home.

The large sculpture in the glass display case is a mid-century piece purchased by Broom specifically for the apartment and depicts a mother and child. The display case is an original Victorian vitrine that Broom used in his  2015 Milan Design Week exhibition ‘The Department Store’.

A bespoke fireplace specifically designed for the space by Lee Broom has been carved from Travertine in Italy in a stepped formation design, inspired by the brutalist architecture of the Long Lines skyscraper, one of Lee’s favourite buildings in New York visible from the living room.

The room’s focal point is the new White Street sofa designed specifically for this environment. Highlighting Broom’s long-held fascination with symmetry and seamlessness, this architectural, streamlined, modular piece can be arranged in multiple configurations and is effortlessly connected by sculpted armrests, corner or side tables each produced in black or white ash. 

Also showcased in this room: the new Tribeca Tables, a series of sculptural side and coffee tables, which mirror the same floating concept as the sofa, appearing to defy gravity. Crafted in black silk marble and travertine with a stepped detail that reflects the soaring local architecture, its smooth round tabletop cantilevers over a monolithic square base, balancing perfectly. 

After 14 years in the industry, Lee Broom has become a reference in the world of lighting and furniture design. Originally from the U.K., Broom is still based in England but his renown has transcended borders. His career, however, initially started in fashion, an experience that continues to nurture his style.

After graduating with a fashion design degree from Central Saint Martins in London, Broom worked for legendary designer Vivienne Westwood. But he truly found an avenue for expression in his eponymous company and brand, launched in 2007. Since then, he has designed, manufactured and retailed over 100 furniture, accessory and lighting pieces under his name, in addition to collaborating with brands such as Christian Louboutin, Mulberry, Bergdorf Goodman and Wedgwood. Each one of his creations reflects a classic aesthetic with contemporary and unexpected edges.

Related: Lee Broom’s Landmark Exhibition ‘Park Life’ for Space Australia in Sydney.

In Broom’s private study, the designer has installed several works from his personal art collection, including an original leather jacket owned by the artist Keith Haring with a signature artwork painted on its back. The desk in the Study is an 80s Italian piece made from Travertine. The bust of David is also a vintage piece used in Broom’s 2019 exhibition ‘Park Life’ in Sydney.

Keith Haring owned the jacket and then as a gift to his partner before he died, he did a painting on the back of it. Lee bought it in a gallery in Philadelphia 15 years ago as it seemed like such a unique and personal piece of art. As far as Lee knows, he painted only a few of these jackets one of which he did for Madonna in the 80s. The record player Lee bought in Brighton when he was young for £50.

The blue painting of the portrait in the centre of the cluster of artworks is by Shirley Amartey, an artist and fashion stylist who paints self-portraits. The painting was specifically commissioned for the Penthouse study. Other paintings on this wall are all mid-century vintage pieces which Lee has collected over the years. The linear rug which complements the blue for the painting is by Gan Rugs.

The kitchen includes two Lee Broom Tube Lights created from Carrara marble and brushed brass. ‘Podium Vase’ by Lee Broom features a glass globe balancing on a white Carrara marble base. All the wood in the Kitchen is reclaimed oak and is over 300 years old. Keeping with the importance of sustainability of the penthouse, the marble is from Vermont in the USA, the largest underground marble quarry in the world.

Looking out to a grand terrace with spectacular views of One World Trade is the dining room. Deep blue moiré walls, grey velvet pleated drapes with polished and brushed stainless steel add a sense of drama. The mirror is called Split Mirror, designed and produced by Lee Broom. This particular version was a limited-edition piece in white created for the 2017 Milan exhibition ‘Time Machine’. The white and chrome table also by Broom is called the Drunken Side Table.

As part of Lee Broom’s growing personal collection of vintage pieces and art seen around the property, an original 1980s custom bar designed by Steve Chase for the Chase Residence in Laguna Beach is an elegant reminder that this is a space meant for refined entertaining. The cocktail set is an original Arne Jacobsen collection called Cylinda Line by Stelton.

With offices in New York City, Broom needed a pied-à-terre for when he is in town. The project came to fruition when the designer discovered a duplex apartment located in a White Street building in the Tribeca neighbourhood, in the heart of Manhattan. This historical structure has been sustainably reimagined, with 80% of the materials having been reclaimed or restored.

Accessible by a private elevator, Broom’s 280-square-metre penthouse occupies the fifth and sixth floors. Filled with natural light thanks to expansive high ceilings and large windows — which meet passive house environmental airtight requirements — the space features 300-year-old hand-restored, reclaimed wooden details. It comprises a living room, a dining room, two kitchens, two bedrooms, a dressing room, a study and two terraces — one of which has spectacular views of One World Trade Centre, while the master bedroom offers a unique panorama of the Empire State Building.

The master bathroom includes a Lee Broom Mini Crescent light. All the marble is sourced from the Vermont marble quarry.

The bed is a stainless and brass turned bed which dates back to the 1960s. Lee bought it from one of the dealers he uses in LA (the same dealer who had the Steve Chase bar in the dining room). Lee was going to use it in the guest bedroom of his London home or possibly for an interior project. It was too large for his home, but he didn’t want to give it up as it has actually inspired some of his work using spheres and columns and so he was really happy to finally use it in the New York penthouse.

The sofa by Broom is an archived piece from his 2011 collection called ‘Salon’. The wall coverings are from Dedar.

The fluted metal piece is an architectural fixed item that was part of a wall from an interior of a New York Building/skyscraper. It is from the 70s but Art Deco in style. Lee bought it specifically for the Penthouse – unfortunately, the vendor does not know which building it came from but knows it was part of a much larger set of interior fixtures. It was originally a fixed uplighter. Lee put it in the room because the mix of brass and steel went well with the bed and also there is a view of the Empire State Building from the master bedroom and he thought it sat perfectly with that view. The hanging lights are Orion Lights in polished gunmetal by Lee Broom. The travertine plinths are vintage pieces dating back to the late 70s. Also shown are two black Fulcrum Candlesticks by Broom.

The guest bedroom includes a Carousel XL light in matte black, Acid Marble table lamp and Mini Crescent Chandelier, all by Broom. The yellow and pastel pink rug is by Gan Rugs. The oversized headboard was taken from an exhibition created for the London Design Festival in 2017 called ‘On Reflection’. It is important for Broom to re-use as much as possible from shows and exhibitions meaning that nothing is wasted.

Lee stained the vintage McIntosh sideboard in stained black. The large display case is Victorian and was originally used for the Milan Design Week show Department store in 2015. The artwork was painted by Lee Broom. Lee Broom Split Mirror hangs in the background with an Altar Chair in front, also a Lee Broom design that’s been archived.

The dressing room off the guest bedroom includes Lens Flair wall lights, Musico chair in matte black, Split Mirror Round, and Acid Marble table – all by Lee Broom. On the table is a Wedgwood by Lee Broom vase on orange sphere and Half cut glass.

For his refuge in the Big Apple, Broom envisioned all the rooms as a series of curated vignettes, each with its own personality. Specifically for this penthouse, he also designed a new collection of furniture and accessories which will launch this year. Honouring Broom’s love of symmetry, one of the main pieces is the White Street modular sofa, which adorns the living room and is effortlessly connected by sculpted armrests, corner or side tables in black or white ash.

The Tribeca coffee tables in black silk marble and travertine with smooth round tabletop cantilevers over a monolithic square base also help shape the elegant and peaceful atmosphere. Broom reimagined the Fulcrum candlestick in a tactile, rough-hewn solid travertine, which complements the bespoke fireplace and plinths. In the dining room, the Aurora chandelier hangs over the Musico table and recently launched chairs, with blue walls and grey curtains as a backdrop.

Through this project, Broom created a space that perfectly fits his needs and corresponds to his taste, while giving free reign to his imagination to design new pieces of furniture and lighting that will soon elevate other interiors around the world.

Lee Broom collections are available in Australia exclusively from Space Furniture. For more information, visit leebroom.com and spacefurniture.com.au/lee-broom.

| The article Lee Broom’s New York City Penthouse is Part Home, Part Showroom. appeared first on Yellowtrace. |

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When thinking of Norway, one is likely to picture awe-inspiring landscapes, fjords, oil and fishing industries. And, perhaps, Edvard Munch’s The Scream.

Some lesser-known facts about Norway are its rich design history and a long tradition of craftsmanship ranging from boat building, weaving, felting to rosemaling, Viking art and furniture making. Yet somehow, Norway is often overshadowed by its neighbours in Denmark, Sweden and Finland.

Enter Eikund. A furniture company ready to shake things up and prove that Norway is no underdog of Nordic design.

This Yellowtrace Promotion is supported by Stylecraft. Like everything we do, our partner content is carefully curated to maintain the utmost relevance to our audience.

The company is inspired by Norway’s pristine natural environment. “We never take nature for granted. We’re inspired by nature every day, to find ways to improve and do better.” Read more about Eikun’s Green initiatives here. Photos taken at Egersund by Bjørn Hagen Aakre.

Hertug Dining Chair.

Veng Armchair.

Founded in Hellvik in 2016 by Morten Hippe, Frode Tingbø and Jørgen Tengesdal, Eikund’s mission is to uncover long-lost Norwegian design classics and bring them back into production for the world to enjoy. The discovery of these designs was a real labour of love, which saw them scouring attics and archives to source original drawings and information about each product.

Stylecraft now welcomes the Norwegian company into their stable of leading European brands, exclusively bringing these iconic pieces to the Australian market. Eikund’s collection represents the work of several designers who were prominent during the 50s and 60s, aka ‘The Golden Era’ of Norwegian design, such as Fredrik Kayser, Torbjørn Bekken and Bendt Winge.

Fluffy Lounge in Black. Fluffy is made from European oak and American walnut, combined with Norwegian sheepskin.

According to Eikund, “a great product is timeless by design, made in durable, quality materials that are made to last.” We couldn’t agree more.

The company is committed to sustainable production across the board. Shown here is eco-friendly vegetable-tanned leather, a natural material managed using processes and chemicals that are safer for the environment.

The re-issued chairs, lounge chairs, tables and accessories aren’t recreations but rather original designs themselves. Equal parts elegant and nostalgic, each item has been designed and manufactured to withstand daily use and to be passed through generations. These timeless pieces make for wonderful additions to homes as well as retail spaces, bars, restaurants and hotels.

A stunning combination of classic mid-century aesthetic and high-quality manufacturing, Eikund’s collection is perfectly poised to stand the test of time, exemplifying simple, functional and superbly crafted design.

The range includes three chairs from Fredrik A. Kayser, a well-loved Scandinavian furniture designer from the mid-twentieth century. “His furniture is characterized by elegant design and material sensitivity, with a rare sense of proportions and composition,” explain the founders.

Krysset leather upholstery is from Eikund’s house range includes natural, dark brown or black with the rope for the sewn backrest in a matching colourway. The timber frame is available in solid Oak in white oil, natural oil, black stain or soaped finish or solid Walnut with an oil finish.

With its distinctive cross-legged silhouette, Krysset lounge chair is his most notable piece and a true Norwegian icon. Designed in 1955, Krysset features a solid timber frame with an aniline leather backrest stretched out like a sail and sewn into the frame.

“The front and back legs are fixed together by four wood nails that in a refined way emphasize the construction,” explain the founders. “Kayser was inspired by the trends of the time, but always managed to give his creations a unique personal touch, with an elegance that made them instant classics.”

Fluffy is available in both a white and black fur version with various wood base options including; soaped oak, white oiled oak, oiled oak and smoked oak. This is a brand-new species that can live simply anywhere. Photo by Anna Stathaki.

Kayser’s Fluffy Lounge Chair is another standout in the collection. Ok, seriously though – how freaking fun is this chair?! Draped in ultra-soft Norwegian sheepskin, its sloping armrests basically pull you in for a welcoming embrace.

“Kayser graduated from National Academy of Craft and Art Industry back in 1945 and the lounge chair was designed while being employed at Rastad & Relling Tegnekontor,” explain the founders. “It combines both art and function into one, a floating cloud of fluffiness that builds on the past for the present.”

Evja Coffee Table.

Veng Armchair.

Designed by Puroplan, Amerikalinjen Hotel in Oslo is a project layered with subtle nostalgic references as well as forward-thinking design.

The guest rooms feature an assortment of iconic pieces from Eikund including Torbjørn Bekken’s Evja coffee tables, Veng armchairs and Hertug dining chairs. There is also a bespoke black version of Fluffy commissioned by the owner, Petter Stordalen.

Designed in 1955 by Arne Tjomsland, Isbjørn is characterized by simplified organic shapes and soft yet defined lines. It’s available in two sizes and in natural Oak or white satin lacquer.

An unexpected member of the collection is Isbjørn, Arne Tjomsland’s delightful interpretation of a polar bear dating back to 1955. “Arne Tjomsland was Norway’s leading designer of small-scaled figures in the 1950s and ‘60s, a self-taught creator originally working with advertisement and toy design. He gave shape to animals from the Nordic fauna, as well as Inuits and Vikings, in wood and whalebone.”

Isbjørn was first made from teak and was inspired by Polar literature that Tjomsland read as a child and the time he spent with his father at the Zoological Museum in Oslo.

For more information on Eikund collections exclusively available at Stylecraft, visit stylecraft.com.au/eikund.

| The article Stylecraft & Eikund Bring Iconic Mid-Century Norwegian Design to Australia. appeared first on Yellowtrace. |

#HTE

Tim Veresnovsky lends his keen eye to a project on the smaller side in this 49 metre squared apartment for a young yacht enthusiast, appropriately located overlooking the river Neva in St Petersburg, Russia. A studio well versed in solutions – and always up for a challenge, Veresnovsky shifted the focus away from the paltry number of square metres, drawing the eye instead to an optical illusion of space.

Fiercely ambitious and never afraid to be daring, I’m thinking of that Vintage PEDUS bed from 1969, the designer got creative with the interior. Texturally graphic and starkly monochrome, the first glimpse of this apartment may leave you thinking it feels overly contrasting or even cold, yet these carefully considered accents are what yield the project to its startingly roomy appearance.

Related: Historical Apartment Renovation in Saint Petersburg by Tim Veresnovsky.

Objects and furniture seemingly dissolve into the walls and additional space and air is freed up through the explicit distinction between the positive and negative, creating a welcome deception.

White chairs by Eugenio Gerli float against the background of the white walls and ceiling, while a black bench and coffee table lose volume and enter the 2D plane. The reversible monochrome graphics of the upholstery and headboard reflect the black and white checkered carpet, while the curved lines of textiles serve as a bridge to the slopes and skirting boards made from marble slabs. A vintage Italian satellite chandelier and modernist “plump” black vases from the Kyiv brand Fainadesign add playful silhouettes to their crisp surroundings.

Related: Black & White Moscow Apartment of Designer & Artist Sergei Khrabrovsky.

The apartment has a softer side too with honey-amber wood framing cushioning the geometric forms and repetition of circular motifs in rosettes and vases. The warmth of the poplar root kitchen extends to the bathroom with the rare amber Giallo Siena marble trim defining the arched vanity.

Exploring the realms of perceptions this compact apartment has taken an illusory approach to its interiors. Light, playful and witty it’s a design of deception you can feel good about.

Related: Pervaya Liniya Apartment on the Gulf of Finland by Tim Veresnovsky.

| The article White Above, Black Below: Graphic Apartment in Saint Petersburg by Tim Veresnovsky. appeared first on Yellowtrace. |

#HTE

When thinking of Norway, one is likely to picture awe-inspiring landscapes, fjords, oil and fishing industries. And, perhaps, Edvard Munch’s The Scream.

Some lesser-known facts about Norway are its rich design history and a long tradition of craftsmanship ranging from boat building, weaving, felting to rosemaling, Viking art and furniture making. Yet somehow, Norway is often overshadowed by its neighbours in Denmark, Sweden and Finland.

Enter Eikund. A furniture company ready to shake things up and prove that Norway is no underdog of Nordic design.

This Yellowtrace Promotion is supported by Stylecraft. Like everything we do, our partner content is carefully curated to maintain the utmost relevance to our audience.

The company is inspired by Norway’s pristine natural environment. “We never take nature for granted. We’re inspired by nature every day, to find ways to improve and do better.” Read more about Eikun’s Green initiatives here. Photos taken at Egersund by Bjørn Hagen Aakre.

Hertug Dining Chair.

Veng Armchair.

Founded in Hellvik in 2016 by Morten Hippe, Frode Tingbø and Jørgen Tengesdal, Eikund’s mission is to uncover long-lost Norwegian design classics and bring them back into production for the world to enjoy. The discovery of these designs was a real labour of love, which saw them scouring attics and archives to source original drawings and information about each product.

Stylecraft now welcomes the Norwegian company into their stable of leading European brands, exclusively bringing these iconic pieces to the Australian market. Eikund’s collection represents the work of several designers who were prominent during the 50s and 60s, aka ‘The Golden Era’ of Norwegian design, such as Fredrik Kayser, Torbjørn Bekken and Bendt Winge.

Fluffy Lounge in Black. Fluffy is made from European oak and American walnut, combined with Norwegian sheepskin.

According to Eikund, “a great product is timeless by design, made in durable, quality materials that are made to last.” We couldn’t agree more.

The company is committed to sustainable production across the board. Shown here is eco-friendly vegetable-tanned leather, a natural material managed using processes and chemicals that are safer for the environment.

The re-issued chairs, lounge chairs, tables and accessories aren’t recreations but rather original designs themselves. Equal parts elegant and nostalgic, each item has been designed and manufactured to withstand daily use and to be passed through generations. These timeless pieces make for wonderful additions to homes as well as retail spaces, bars, restaurants and hotels.

A stunning combination of classic mid-century aesthetic and high-quality manufacturing, Eikund’s collection is perfectly poised to stand the test of time, exemplifying simple, functional and superbly crafted design.

The range includes three chairs from Fredrik A. Kayser, a well-loved Scandinavian furniture designer from the mid-twentieth century. “His furniture is characterized by elegant design and material sensitivity, with a rare sense of proportions and composition,” explain the founders.

Krysset leather upholstery is from Eikund’s house range includes natural, dark brown or black with the rope for the sewn backrest in a matching colourway. The timber frame is available in solid Oak in white oil, natural oil, black stain or soaped finish or solid Walnut with an oil finish.

With its distinctive cross-legged silhouette, Krysset lounge chair is his most notable piece and a true Norwegian icon. Designed in 1955, Krysset features a solid timber frame with an aniline leather backrest stretched out like a sail and sewn into the frame.

“The front and back legs are fixed together by four wood nails that in a refined way emphasize the construction,” explain the founders. “Kayser was inspired by the trends of the time, but always managed to give his creations a unique personal touch, with an elegance that made them instant classics.”

Fluffy is available in both a white and black fur version with various wood base options including; soaped oak, white oiled oak, oiled oak and smoked oak. This is a brand-new species that can live simply anywhere. Photo by Anna Stathaki.

Kayser’s Fluffy Lounge Chair is another standout in the collection. Ok, seriously though – how freaking fun is this chair?! Draped in ultra-soft Norwegian sheepskin, its sloping armrests basically pull you in for a welcoming embrace.

“Kayser graduated from National Academy of Craft and Art Industry back in 1945 and the lounge chair was designed while being employed at Rastad & Relling Tegnekontor,” explain the founders. “It combines both art and function into one, a floating cloud of fluffiness that builds on the past for the present.”

Evja Coffee Table.

Veng Armchair.

Designed by Puroplan, Amerikalinjen Hotel in Oslo is a project layered with subtle nostalgic references as well as forward-thinking design.

The guest rooms feature an assortment of iconic pieces from Eikund including Torbjørn Bekken’s Evja coffee tables, Veng armchairs and Hertug dining chairs. There is also a bespoke black version of Fluffy commissioned by the owner, Petter Stordalen.

Designed in 1955 by Arne Tjomsland, Isbjørn is characterized by simplified organic shapes and soft yet defined lines. It’s available in two sizes and in natural Oak or white satin lacquer.

An unexpected member of the collection is Isbjørn, Arne Tjomsland’s delightful interpretation of a polar bear dating back to 1955. “Arne Tjomsland was Norway’s leading designer of small-scaled figures in the 1950s and ‘60s, a self-taught creator originally working with advertisement and toy design. He gave shape to animals from the Nordic fauna, as well as Inuits and Vikings, in wood and whalebone.”

Isbjørn was first made from teak and was inspired by Polar literature that Tjomsland read as a child and the time he spent with his father at the Zoological Museum in Oslo.

For more information on Eikund collections exclusively available at Stylecraft, visit stylecraft.com.au/eikund.

| The article Stylecraft & Eikund Bring Iconic Mid-Century Norwegian Design to Australia. appeared first on Yellowtrace. |

#HTE

Tim Veresnovsky lends his keen eye to a project on the smaller side in this 49 metre squared apartment for a young yacht enthusiast, appropriately located overlooking the river Neva in St Petersburg, Russia. A studio well versed in solutions – and always up for a challenge, Veresnovsky shifted the focus away from the paltry number of square metres, drawing the eye instead to an optical illusion of space.

Fiercely ambitious and never afraid to be daring, I’m thinking of that Vintage PEDUS bed from 1969, the designer got creative with the interior. Texturally graphic and starkly monochrome, the first glimpse of this apartment may leave you thinking it feels overly contrasting or even cold, yet these carefully considered accents are what yield the project to its startingly roomy appearance.

Related: Historical Apartment Renovation in Saint Petersburg by Tim Veresnovsky.

Objects and furniture seemingly dissolve into the walls and additional space and air is freed up through the explicit distinction between the positive and negative, creating a welcome deception.

White chairs by Eugenio Gerli float against the background of the white walls and ceiling, while a black bench and coffee table lose volume and enter the 2D plane. The reversible monochrome graphics of the upholstery and headboard reflect the black and white checkered carpet, while the curved lines of textiles serve as a bridge to the slopes and skirting boards made from marble slabs. A vintage Italian satellite chandelier and modernist “plump” black vases from the Kyiv brand Fainadesign add playful silhouettes to their crisp surroundings.

Related: Black & White Moscow Apartment of Designer & Artist Sergei Khrabrovsky.

The apartment has a softer side too with honey-amber wood framing cushioning the geometric forms and repetition of circular motifs in rosettes and vases. The warmth of the poplar root kitchen extends to the bathroom with the rare amber Giallo Siena marble trim defining the arched vanity.

Exploring the realms of perceptions this compact apartment has taken an illusory approach to its interiors. Light, playful and witty it’s a design of deception you can feel good about.

Related: Pervaya Liniya Apartment on the Gulf of Finland by Tim Veresnovsky.

| The article White Above, Black Below: Graphic Apartment in Saint Petersburg by Tim Veresnovsky. appeared first on Yellowtrace. |

#HTE

Details from the set: Zaza Modular Sofa by Sydney-based designer Charles Wilson for King. Oceania hand-loomed pure New Zealand wool rug from King, colour Terra Firma.

Back left: Monument porcelain ceramic side table from King (suitable for both indoor and outdoor use). Front middle: Issho asymmetric pebble-shaped coffee table from King. All sculptures (in metal and stone) by an independent Sydney-based artist, Clementine Maconachie of The Visuals.

Our second Sofa Session, from a video interview series produced in partnership with the Australian furniture brand King, welcomes a national treasure and the Australian design community’s best-kept secret. Adriana Hanna is a Sydney-born Melbourne-based architect and Director of Architecture at Kennedy Nolan. Although much loved and widely respected, this lady likes to keep a low profile. Until today!

This chat was quite special as I usually get to profile people who have their name on the door. What Adriana’s achieved within a practice somebody else started, in which she began her career as a student – is remarkable. Adriana is a role model for a generation of young professionals who aren’t necessarily aspiring to have their own studio but still want to achieve great things in their careers. I honestly don’t think we talk about this stuff enough – not everybody needs to start their own business in order to do great work and feel accomplished.

Related: Yellowtrace Presents, Sofa Session with William Smart.

“Good design is something that’s still very human, and very much for the user, but it tests all the parameters, executes it seamlessly, and looks effortless.” — Adriana Hanna

With an incredible work ethic, Adriana is obsessed with design and is someone I look up to and channel on those days when I’m feeling lazy to keep up the relentless research.

“I have a natural appetite to be across the design industry and I like to completely immerse myself in arts and design of every form – it’s definitely not just limited to architecture and interiors, or product design… I’m constantly seeking that information out in my spare time,” she says.

“Design is a barometer of our time. It’s a measure of what is happening – it’s like a cultural mark.”

A passionate supporter of Australian design, Adriana believes there is a lot this country has to offer and that we all need to play a part in supporting our local industry.

“There are some amazing producers here making fantastic quality, original pieces we can’t find anywhere else… and Australian design companies that are housing these beautiful ranges that we need to support,” says Adriana.

“I think people need to become educated to understand there is quality in these pieces as much as in the European-made pieces – they are handmade to the same quality. There needs to be a shift in the perception.”  

Praise be.

This Sofa Session was made possible through the generous support of King, an Australian furniture design brand with a 40+ year history. For more information and to explore King collections, visit their website here. To apply for King Trade & Commercial Account, a tailored division for registered Architects, Interior Architects, Interior Designers and Design Professionals, visit this page. 

This Yellowtrace Promotion is proudly supported by KING. Like everything we do, our partner content is carefully produced to maintain the utmost relevance to our readers. Thank you for supporting the brands that support Yellowtrace.

[Photography by Nick Hughes/ Yellowtrace. Video by Tommy Devy. Furniture and accessories by King. Artwork by Clementine Maconachie of The Visuals.]

| The article Yellowtrace Presents: Sofa Session with Adriana Hanna. appeared first on Yellowtrace. |